peter

May 092013
 

It still boggles me how this band and particularly this album made it big in the US. Apart from the tongue-in-cheek jingoism of Down Under, this record is pure Australian new wave/pub rock – nothing really inherent in the music to appeal to Americans or anyone else apart from Aussies.

But appeal it did.

Who cares? A good album stands on its own, and that’s precisely what Business as Usual is. It’s a timeless classic, a record I’ve been in love with since it appeared in 1981. There’s only two songs here you could call filler, and realistically, the other eight were easily viable singles. I Can See It In Your Eyes (album highlight) and People Just Play With Words could easily have sat next to Down Under and Who Can It Be Now? on the charts. Same with Helpless Automaton.

Catch A Star and Touching the Untouchables are this record’s filler and even so, they’d stand up and take notice on most other artist’s albums.

This album’s closer, Down By The Sea, is the album closer to close out all albums. You can seriously imagine yourself running carefree with the love of your life, while the relentless waves crash in.

Let’s face it, the whole record is brilliant. They never did something this good ever again. Cargo has its moments, but few like you’ll find on this LP, and Two Hearts is an acquired listen.

business at usual

May 052013
 

Ecce and Old EarthEcce and Old Earth by Jack Vance

My rating: 1 of 5 stars

There is one singular element in this book that utterly destroys it and I’m afraid no amount of reconsideration will resurrect its carcass.

That element has a name, and her name is Wayness Tamm.

Congratulations Jack, you have invented the most ingratiatingly annoying and prudish non-female woman in the history of SF.

I’m so happy I know you can do better. And repeatedly have done.



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May 052013
 

I downloaded the daily for Haiku OS and had another go. I’ve tried these dailies before with variable success. Sometimes they boot, sometimes they merely hang the computer. This time it worked. It’s an intriguing little OS and I’d like to give it a real go, especially since most multimedia things work out of the box without needing to mess about with them, like MIDI and mp3. Sure, there’s not much out there for it, and the entire GUI does look a little retro but I’m always on the lookout for free operating systems to play with.

But the main thing holding it back in my mind? Lack of modern video card support. The OS did support Nvidia cards up to about the 7600 series, which is a long damned time ago. I own a GT560, which is a 2010 vintage card. By no means state of the art. I don’t know what’s involved, but how hard would it be to port the Linux nouveau driver across to this? What’s involved?

What happens is it defaults to VESA modes – something that was all the rage when Bill Clinton was first elected president in 1992. That’s right, it falls back to a 20 odd year old video standard. No support for 16:9 or 16:10 widescreen and the maximum I could get was 1280×1024 and there was some letterboxing going on.

Sure, it’s aesethic only, but if you have a widescreen monitor, and I’m sure by 2013 most people have one, why would you want to use a system that uses a maximum of about 65-70% of your screen real estate?

Regardless, I’ll keep coming back to Haiku as it intrigues me.

a screenshot of Haiku OS

May 052013
 

Post-apocalyptic fiction. I’m a huge fan of what would happen if civilisation ended. There’s two directions here – first one, and the one I’m not going to talk about in any length, is the Life After People scenario. Humans vanish from the Earth, just like that. What happens next? Covered in splendid detail right here.

The second scenario is the post-apocalyptic one. What happens if you’re one of a few scant survivors after the aliens have invaded and left, or the terminator virus has wiped 99% of us all out, or there’s a worldwide nuclear/conventional war, or an asteroid (or three) slam into the Earth? It’s been dealt with exhaustively in print, video games and film. Better known examples include Earth Abides, A Canticle for Leibowitz, On The Beach, the Fallout video game series, the Mad Max series, The Book of Eli, The Road and so on.

Here’s what would happen, in my opinion. This assumes there’s no functioning government, military or law enforcement.

Power

No electricity apart from what could be generated from fuel-powered generators. This assumes there’s viable fuel somewhere – or generators. (I won’t talk about portable solar panels here). Let’s say you emerge from the underground to find your city destroyed. Every tall building has been levelled, all industry annihilated. It doesn’t take much to knock out a power grid. It happens often – a well directed lightning bolt on a telephone pole transformer or a sub-station is enough to disrupt the power supply to many, many homes in the area. Now imagine if some cataclysm destroys more than just sub-stations. Power stations, transmission lines, pylons – they’ve all gone up. Hydroelectric dams have been breached, nuclear fission reactors levelled, coal-fired stations gone. Even the green alternatives like wind turbines and solar farms wouldn’t escape the devastation. They’re big and they’re targets.

Regardless, power still needs to travel, and if the wiring infrastructure is gone, there’s nowhere for it to go and it fails. This would be applicable to renewables like tidal power, which might escape a worldly cataclysm based on the fact most of their structure is under water. Just might.
a gas cylinder

So, electricity would now be the realm of the portable generator. Maybe. They’re small enough to escape notice, but what powers them isn’t. Unless some form of fuel storage has survived (possible as most service station tanks are underground), they wouldn’t be much good. But if we assumed that there are tanks of petrol or diesel about, there’s a viable energy source. And if neither generator nor fuel is available, then welcome to 1750 AD…but there is one thing I haven’t mentioned – batteries. There’s a very good chance that car/truck batteries, and your smaller domestic kinds would survive, but how good would they be at powering what you are used to living with? And how long would they last? Again, welcome to 1750 AD.

Without power, nothing as we know it works. No fridges, no TV, no radio, no internet, no town water supply (yes, the pumping stations are electrically powered), no electric stoves, no microwave ovens, no electric lighting, no air-conditioning, no elevators or escalators, no washing machines, no hot water (not talking about gas here yet). In short, without electricity, the 2011 era Western human is very much a helpless breed, especially long-term.

Food

Within days of the end of any cataclysm, most urbanised humans are going to have a food problem. The stuff in the fridge/freezer becomes spoiled and consequently can be poisonous. Milk is usually the first to go, followed by meat. Vegetables and fruit go off at varying rates, as do other perishables, like your cheeses, sauces, condiments and other refrigerated foods. Tinned and dried food last a lot longer, but after six or so months, most of the tinned stuff has gone off. Your snack foods, like potato chips, chocolates, candies, packaged cakes, etc, have variable lifetimes, but few last more than a few months.

Most urban people will run out of food within weeks, unless a few things happen. Let’s say generators and fuel did survive. It’s possible to run fridges and ovens off generators. Assuming you had a stockpile of perishable stuff you could keep frozen, life may be enjoyable for about a year or so, possibly longer if you had large stores of things like pasta, ramen noodles, cups of soup packets. If you cooked meat immediately, it’d extend its life a little bit – assuming a cold place to store it. Drying it out and making jerky or biltong from meat would also stretch it out a bit – who knows how to make that though? Time to raid the ruins of the library for a cookbook (and a survival manual) to find out how.

The average natural gas cylinder you see in or around houses will power a stove for about fifteen months, for four people. Assuming you only cook on them once or twice a day.

The average suburbanite survivor is going to enter some very dire straits soon unless several things happen. He learns to hunt – if there’s anything left other than humans to hunt – or he learns to cultivate his own food. A good deal of the world does this now, but not many Westerners are in that category. How many city people have the first clue how much land it takes to grow crops to feed x amount of people? I can tell you, from farmboy experience, it takes more land than you think. This is assuming there’s arable land at hand – and it’s yours to work. There’s not much arable land in suburban Sydney or New York City or London, is there? This is also assuming there’s seed to plant. Time to plunder the ruins of the hardware shops for the seeds, fertilizers, hoes and mattocks. And what do you know? There’s only eggplant and tomato seeds available, and you’re in a Minnesota winter right now…

Foraging is a possibility, but few people can identify edible wild plants. It’s not something the average citizen is trained to do. Once again, there may be nothing viable left to forage.

Water sources will be an issue. Almost immediately after the dust settles it’ll be an issue. Your taps don’t work any more – electricity to the pumping station went kaput remember? Drinking sea water is injurious to your health and desalinating it is beyond the reach of the average person’s knowledge. Rain is rarely predictable anywhere on Earth, but collecting it in barrels and buckets and other containers is of course viable. If you have water tanks (that have survived) you may be all right, until it runs out and that unreliable rainfall is being…unreliable.

Watercourses may or may not be viable depending on what pollutes them. Drinking river water, even clean river water, will give most people the runs after a few days, what with the minerals and minuscule life that swims around. Boiling it? Sure, boil it with what? There’s that power issue again. Rubbing two sticks together is not a quick way to get a fire going. The hunt for clean safe water will be an ordeal to match the hunt for clean, safe food.

I’ll deal with health and safety in another post.

Apr 272013
 

This is the follow-up record to Optical Race. In a lot of ways, it’s more of the same and that is very much a positive thing. There’s thirteen songs here and the unifying theme is the West Coast of the United States. This record evokes images of everything from beach-side cafes to the high mountains, with everything from fast roads to deserts in between.

It’s a livelier record than its predecessor. There’s none of the dreamy reflection that was prevalent on Optical Race. In truth, the whole record sounds happy. Apart from the battery of synths, there’s drums and guitars throughout and a fair chunk of it does come across as a product of its era. In fact, the song Paradise Cove sounds like it came straight out of Miami Vice or Beverly Hills Cop.

Of course, there’s highlights here, from the title track to the empyrean Mount Shasta, the happy groove of Blue Mango Cafe, the reverberating Gecko and the cool cruise of Desert Drive. The album highlight would be Crystal Curfew.

This record? I love it.

lily on the beach lp cover

Apr 262013
 

The Fuduntu distro of Linux is easily the best I’ve used. So what do they do? They go and and put an end to the project. Read about it here. The lead developer is retiring, and there’s issues keeping Fedora as the base to build the distro on. At this point in time, the team is considering using OpenSuSE as a base, and the tentative name of the new distro will be FuSE.

Shame, as it’s easily the best Linux distribution I’ve used and the rest could take a leaf out of the book here.

Fuduntu wallpaper

Apr 262013
 

The CollectorThe Collector by John Fowles

My rating: 5 of 5 stars

The most tragic thing about this story is the degree of difference in how much Miranda and Fred are alive. Fred is a dead thing already – a doomed shell devoid of light, colour and joy. Winning a substantial amount of money brings no happiness to his grey existence. It’s a callous means to an end. His single-mindedness to collect Miranda is enacted with the same washed-out determination his every other act possesses. He is a Nowhere Man that exists somewhere between dead and dying. A social failure; a cipher.

Miranda is vivacity itself. Her every step bespeaks life on a buoyant scale. Her thoughts, spilled out on the pages of a panicked diary, show a young woman whose very zest and animation are given life. There is a crazed quest for life in the plots and ploys she conjures to free herself of Fred…and they become more crazed and, alas, futile, as her tenure as Fred’s prisoner continues.

It is a great injustice (and proof that the theory of karma is bunkum) how this tale pans out. The colourless prevails while the rainbow is extinguished.

So goes it.



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Apr 222013
 

The Cup of the World (Cup of the World, #1)The Cup of the World by John G.H. Dickinson

My rating: 2 of 5 stars

Hmmm…you know, I liked the earnesty in which the author propelled this story along. He had an idea and a vision for it, and I wanted to go along and see where it ended.

That’s the good part. The bad? It feels like I’m reading the condensed version of what the author had in mind here. There’s some disconcerting scene and time shifting that I feel is editorial rather than any quirk of the author’s.

Else? The lead character Phaedra…well, I tried to empathise with her and her lot in life, but I can’t. It’s like reading the life of a British royal and how she would moan over the silverware not being polished or something. Yeah, poor you. First world problems. She verges on faceless as well, and I was waiting for the author to inject a bit of sauce or fire into her. Never happened.

Then there’s the style. The author swings between full-blown Tolkienesque English and something proximating his own voice. That right there is a near-killer of this story.

So, you go over hill and over dale with this story and the net result is not quite what you want or were hoping for. Shame that.



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Apr 152013
 

I took a look at Warframe, a new free to play science fiction MMORPG. I hesitate to call it “role-playing” because there isn’t much role going on here. Essentially, you and up to three others band together and progress through a number of planets and their sub-areas, starting with Mercury. It’s a first person shooter with you versus some organisation called the Grineer.

The levels are randomly generated using a stock set of templates and they do become repetitive after a bit.

Your objectives vary, and they range from kill everything that moves to rescue prisoners. Periodically as you progress through the planets, you’ll encounter bosses and the fight becomes more difficult. The combat itself is well done, with excellent animations and moves. You’re limited to three weapons: a pistol, a rifle and a sword, and each three level up progressively as you use them.

Being a freebie, there’s a cash shop where you can spend real money on everything from colouring your character to buying new warframes (character templates) and weapons. You can also buy (or find) modifications to your warframe and your weapons.

All up, it’s a decent game and it’s only a gigabyte or so to download.

warframe screenshot

Lots of music listened to

 music  Comments Off
Apr 062013
 

I’ve been checking out a lot of music lately, some of it old, some of it not so old. Let’s go.

  • Gary NumanDead Son Rising – not bad, but he tries too hard to put the creeps over. Lots of processed vocals and industrial noises. Dark, but not particularly brilliant. Yes, I prefer his Replicas era stuff.
  • David SylvianManafon – now, haven’t we got something truly weird here? This is what you call “experimental music”. Lots of disconnected vocals, acoustic guitar and chopped up orchestral sounds. About as anti-commercial as it comes. Not sure if I liked it or not.
  • Hüsker DüZen Arcade – old school punk. Apparently. People say this band and their records are brilliant so maybe I just missed the memo. Here, one song blurs into the other and the shitty production doesn’t help. Tinny drums and vocals mixed way back make it sound like a cheap garage band record. Love to know what they’re singing.
  • In The NurseryA Page of Madness – this is a soundtrack to an old silent Japanese film. The music? Strange, weird, wonderful, haunting. I love it. More of the same please.
  • Neu!Neu ’75 – the best record of this lot. Six marvellous and utterly fascinating tracks, especially the cruising, dreamy Isi. It’s all good.

neu 75 cover